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Big Ol’ Writing Goals

Title_______________RED TOME

Sub-Title___________Book Two of The Progeny

Cur­rent Word Count__4,300

Goal Word Count____110,000

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It has begun!

It took me seven years to write my first novel, The Weight Of Night, a tale of demigods and gods, of love and loss and treach­ery and des­tiny. To be receiv­ing the won­der­ful reviews and rat­ings I have been receiv­ing is kind of over­whelm­ing! It gives me hope that I might just have a future at this writ­ing thing.

I’ve been a busy boy since TWoN was pub­lished, in Jan­u­ary 2011. I’ve co-founded an inde­pen­dent writ­ers’ co-op; I’ve released a few shorts for the Kin­dle; and, I’ve writ­ten and pub­lished a nov­el­ette of The Prog­eny called Trin­kets And Arrows. TAA is based upon TWoN in a way…it is Lily Abrams’ *ori­gin tale*, relat­ing how she first came to under­stand her role as a demigod and her first meet­ing with the Greek god of the sun and of prophecy, Apollo.

I have a cou­ple of other novelettes/novellas that take place in the world of the Prog­eny, but I knew I had to dive back in and con­tinue Alexis’ story.

In TWoN, Alexis spent most of the time try­ing to grasp who she truly was and what she might be capa­ble of; whereas, now, as she and Keats and Lily move into even more dan­ger­ous ter­ri­tory, she pretty much under­stands who she is. For bet­ter or worse. Alexis begins to real­ize that she has a lot of her mother, Nyx, in her than she would pre­fer, actu­ally. As her rela­tion­ship with Keats grows, she also has to deal with a level of emo­tion with which she is cer­tainly not famil­iar. This, of course, can only lead to trouble.

With Red Tome, the next book in the series, I have sev­eral goals in mind. Very spe­cific goals. Alexis and her expand­ing lev­els of emo­tion, her dif­fi­culty in deal­ing with them is one of those goals. We all expe­ri­ence a crazy level of emo­tion once we hit puberty, it’s called life. How­ever, with Alexis, once she hit puberty, her lev­els of emo­tion shifted in the oppo­site direc­tion, due to her her­itage. So how does one deal with such things? How does a beau­ti­ful girl, who real­izes that love is tak­ing hold in her heart, face the fact that she places that love in dan­ger every step she takes?

I have my work cut out for me, don’t I?

In future entries, here at The Green Room, I will talk about how things are going with the writ­ing of Red Tome, as well as dig into some other goals I have for the book (and the one after). So look for me to dig a lit­tle deeper into the psy­che of a writer, the depth of fic­tional char­ac­ters and the tra­vails of plot­ting a novel. Oh! FUN!

By the way, are you a writer? Have you ever set out spe­cific goals in your writ­ing? What were they? Did you accom­plish them? Did you even get around to attempt­ing them? I’d love to hear you thoughts on the subject!

Good writ­ing, my friends!

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Buy One Get One Free

One of the tough­est parts of being a writer these days is the fact that you’re com­pletely respon­si­ble for your own pro­mo­tion. Whether you’re signed up with one of the NY Big Boys, a small inde­pen­dent pub­lisher, or self-published, it is all on you to get the word out on your book(s).

We have to be our own cheer­leader. We have to be able to turn on the charm at a moment’s notice in order to present the best front for pro­mot­ing our work. No one else is going to do it for us. No one.

So, I had an idea for a give­away, just to see how much influ­ence free stuff holds over read­ers (if they’re any­thing like me, then it should be a lot!). And today, I found I was not the only one think­ing this way…

My friend and fel­low author, Chris­tine Rose (with her hubby, Ethan), wrote a won­der­ful YA series of nov­els called Rowan Of The Wood.  She is now giv­ing the first novel in that series away for the pur­pose of an exper­i­ment. So, go steal her book!

As for myself, I’m set­ting up a 2-for-1 for the next six weeks. In an effort to get my novel out there to more read­ers, as well as share more writ­ings, I will be giv­ing away a free copy of Ordeals – a col­lec­tion to any­one who pur­chases my novel The Weight Of Night, begin­ning today and run­ning through the end of May. Keep in mind that The Weight Of Night is only 99 cents on Ama­zon (for the Kin­dle) and B&N.com (for the Nook), as well as on Smash­words in pretty much any eReader for­mat.

The deal is sim­ple: between now and May 31st, just send me any proof of pur­chase (usu­ally an email from the store (Amazon/B&N)) for The Weight Of Night, and I will pro­vide a link to down­load, in what­ever for­mat you like, my short story col­lec­tion, Ordeals. It’s that easy!

Here is the book descrip­tion for The Weight Of Night:

Alexis Rain is not your aver­age high school girl. She has spent her entire life shel­tered from the truth of who she really is: a child of mytho­log­i­cal lineage.

The Weight Of Night

The Weight Of Night by C.L. Stegall

When her mom is stolen from her with­out warn­ing, Alexis is sud­denly thrown into a whirl­wind world of dan­ger and secret agen­das, of demigods and deities. When a self-righteous deity decides that Alexis is his best hope for retriev­ing an ancient arti­fact, she finds her­self on the self-discovery jour­ney of a life­time, track­ing a killer and a kidnapper.

With her best friend Keats in tow, she sets off to make her own des­tiny. Her path will take her to Lon­don, Dages­tan and Hol­ly­wood. She will have to come to grips with who she truly is, and just what she might be capa­ble of, if she wants to sur­vive long enough to save the one per­son in the world for whom she cares the most.

The Weight Of Night is a tense, rous­ing and some­times humor­ous com­ing of age tale involv­ing car crashes, insur­gents, walk­ing canes and ancient Greek gods.

Here is the book descrip­tion for Ordeals – a collection:

Ordeals - a collection

Ordeals by C.L. Stegall

Ordeals is a col­lec­tion of short sto­ries, each deal­ing with indi­vid­u­als who face unusual andtry­ing cir­cum­stances. A mix of gen­res, some dark and oth­ers hope­ful, Ordeals reveals cor­ners of our­selves usu­ally kept hidden.

Con­sist­ing of six unique and diverse tales of adver­sity, Ordeals will stick with you long after the last page is turned.

Two books for less than a dollar…that’s a pretty good deal if I do say so myself! :-)

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The Hurting and The Rising

I have to admit, I’ve been some­what addled of late. I have been out­lin­ing and writ­ing the lat­est novel in my Prog­eny series and one of the things that I was most con­cerned about was I did not think I had an appro­pri­ate end­ing to the series.

WritingWhen we as writ­ers sit down and bang out an idea, it is so much more than just a basic notion.  We have to have the details of the char­ac­ters involved, the under­ly­ing theme of the tale, all the lit­tle pieces that make up the whole. To say that this can be a daunt­ing task is the under­state­ment of the cen­tury.  There are times when we will have this awe­some idea and the pieces just won’t fit together, no mat­ter how we try. 

We could force it, of course, but that would never work. Read­ers are smart. They see those false hur­dles a mile away, and they can be quite unfor­giv­ing.  We must tell the story in the best pos­si­ble man­ner, a man­ner which pulls the reader along with­out drag­ging them by the scruff of their neck. We have to tell the tale so that the reader wants to fol­low along, to step in the MC’s foot­steps and feel what they feel, expe­ri­ence what they expe­ri­ence. The reader wants to hurt along with the char­ac­ters, to under­stand why they hurt and feel that empa­thy, that com­pas­sion that makes us all human.

I’ve been strug­gling with the story in this sec­ond book, for sev­eral rea­sons. For one, I’ve learned a hell of a lot since I wrote the first book. I’ve got­ten to know quite a few other writ­ers, I’ve attended a writ­ing con­fer­ence and I have taken to study­ing the works of oth­ers that I’ve been read­ing with a more clin­i­cal eye. As well, I’ve been writ­ing more. Not just fic­tion, but blog­ging more and try­ing to share some of the knowl­edge I’ve gar­nered over the years of prepar­ing to write the story of Alexis, the daugh­ter of Night.  My love of mythol­ogy is being put to good use and being put to the test.

More than this, my knowl­edge of the human con­di­tion has been put to the test and the writ­ing of this story has forced me to take a deeper look at who we are and who we can be as humans and as indi­vid­u­als. With­out under­stand­ing why we do what we do, why peo­ple do what they do, we can­not as writ­ers relate a story in words that will touch those deep dark secret places of the human soul. This under­stand­ing comes with no lit­tle self-examination.  Look­ing into your own soul is a damned fine start to under­stand­ing the human con­di­tion. Not shy­ing away from the hurt that has been caused to you, by you, is a per­fect man­ner in which to observe and fur­ther under­stand why peo­ple do what they do.

The hurt­ing that we go through, the pain that we expe­ri­ence over the course of our life, phys­i­cal and emo­tional and psy­cho­log­i­cal, is the bridge to our human­ity. If we never expe­ri­enced pain and suf­fer­ing, how would we truly learn about our­selves? How would we ever learn to rise above that hurt? How would we grow? I should think that, with­out such tra­vails, our growth would be par­tic­u­larly stunted.

This has been my con­cern over the last cou­ple of months, as I develop more fully the con­tin­u­a­tion of Alexis’ story. My worry is that I am not going to prop­erly relate the hurt­ing and the ris­ing that this char­ac­ter needs to go through in order to become a bet­ter her, so to speak.

Then, it hit me. One remark­able and leagues-deep res­o­lu­tion to my con­cerns. I found an end­ing that would serve as a fit­ting finale. Now, my con­cern is: can I pull it off?  It’s more com­plex and involved than I had orig­i­nally planned.  I mean, after all, I set out to write a fun, fan­tasy adven­ture tale – basi­cally a coming-of-age tale.  Not, mind you, a young adult novel, but some­thing  bit more ele­vated than that.  I love the YA field and have read more than my fair share of such won­drous nov­els. What I wanted to do was to step up into the next level of young adult­hood and see how late teens, early twen­ties adults would han­dle being thrown into a whirl­wind of con­fu­sion and dan­ger­ous adventure. Alexis is a hell of a girl. Keats is one of my favorite char­ac­ters. But, they are not chil­dren. They need seri­ous adven­ture. Seri­ous con­se­quences. They need the hurt­ing and the ris­ing that we all, as adults, even­tu­ally go through (no mat­ter how large or small the occurrence).

Now that I’ve got­ten the idea, I can no more ignore it than I could stop breathing…or, stop writing.

I believe my next step is to run the idea by a cou­ple of my trusted author bud­dies and see what they think.  Per­haps I am nuts to attempt some­thing so “big”. Yet, how will I know my own capa­bil­i­ties if I do not test them fully? How will I give the read­ers the best that I can give them if I don’t try?

Dream big. Go big, or go home. Do it and do it right.

Right?

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Tide of Shadow

Red TomeI thought I would share the pro­logue of the sec­ond novel in my Prog­eny series today. It still needs a lit­tle work, but I feel it is evoca­tive enough to deal with any commentary. :)


PROLOGUE

Car­los called no par­tic­u­lar place home yet this loca­tion came as close as any. The day had waned and twi­light was creep­ing in on the dilap­i­dated ruins of the West Park Asy­lum in Sur­rey. Car­los, young and mocha-shinned, lin­gered here, in the silence of ruins, among the bro­ken ovens and rusted frames of one of the long-unused stain­less steel kitchens which sat in situ beneath the rows of sky­light win­dows over­head. The baby blue of the atmos­phere miles above shifted to a darker, navy blue as dusk closed in. Car­los knew Samuel would be here soon. He had seen it. What he had not seen, and could not for some rea­son, was what hap­pened next. This fact, against his abil­ity to fore­see the future, wor­ried him to no end. Such a blank spot in his own future had hap­pened only once before, and that inci­dent he chose not to dwell upon.

He shuf­fled closer to the cen­ter of the room, away from the deep­en­ing shad­ows which crept down from the walls and edged nearer to his posi­tion. The smell of the stag­nant water that lay pud­dled beneath a leak in one of the sky­lights min­gled with the rusty aroma of the chipped and crum­bling red brick walls encas­ing the expan­sive space. Car­los noted the smells, once famil­iar and safe, now held a sense of fore­bod­ing that sent a chill trac­ing the length of his spine.

He felt the unnat­ural alter­ing of the room’s tem­per­a­ture and wrapped his arms around him­self in a less than com­fort­ing hug. The shad­ows mutated by the tall swing­ing doors through which the staff once entered and exited the kitchen. The dark­ness elon­gated, flowed against the nat­ural shift of the fail­ing light, and stretched out­ward toward Car­los. He watched as the pecu­liar tide of shadow then rejoined with the main body and deep­ened, form­ing an ink spot against the lighter tones of shadow.

The ink spot con­gealed and formed into a sil­hou­ette, which then sculpted itself into a tall, dark man who appeared to be in his mid-twenties. He had a scruff of days-old beard, the out­line of a goa­tee thicker and darker than the rest, and not a hair on his head. Whether the bald­ness was by choice or genet­ics, Car­los could not tell. The man stepped from the shad­ows and closed on Car­los, who backed away, main­tain­ing his dis­tance from the man.

You do me an injus­tice, Ora­cle,” the man said to Car­los, feign­ing offense and call­ing the boy by his dis­liked nick­name. “I mean you no harm.”

You lie,” Car­los replied, con­tin­u­ing the dance to keep his dis­tance from the man.

Do I?” Samuel stopped and stared. “Do you know who I am?” Car­los nod­ded. Samuel pursed his lips and nod­ded once in return. “I see. So, you have some idea of what I want?” Another nod. “Excel­lent. Then we should get down to busi­ness.” In the blink of an eye, Samuel melted into the shad­ows that sur­rounded them and faded from sight.

Car­los twirled in cir­cles search­ing for any sign of Samuel’s reap­pear­ance. He darted for the swing­ing doors only to have the fore­bod­ing demigod emerge from the shad­ows, block­ing his path.

This is an inter­est­ing place,” Samuel stated, his hands clasped behind his back. He wore a dark blue jean jacket that fell open in front to reveal his black t-shirt. The jacket matched his jeans and, as he walked about the room, his engi­neer boots clomped on the cold con­crete floor. “Did you know that this hos­pi­tal could house upwards of two thou­sand patients at the height of its capac­ity? It even had its own rail­way for a period of time. But, that was removed by 1950. Can’t really tell it was even here any longer. Time decays all.” The man opened his arms in a sign of inno­cence, con­tin­u­ing to stroll in a cir­cle around Car­los, his heavy boots always touch­ing the shad­ows stretch­ing out from the walls. “I told you, Ora­cle. I’m not here to harm you. How­ever, if you test my patience again by attempt­ing to leave before giv­ing me what I want, my objec­tives may shift accord­ingly. Do we under­stand each other?”

Car­los watched Samuel’s eyes, dark and unblink­ing. He nod­ded in sur­ren­der and moved back to the cen­ter of the room and sat cross-legged on the cold con­crete floor. What­ever his fate may now be, he was fly­ing blind. Just like every­one else who was not the child of Apollo.

Fine,” he said to the man. “I think I know what you want, but—“

Allow me to enlighten you,” Samuel said, return­ing his hands to clasp behind his back. “I want to know about the Tome. The Red Tome. How do I find it?”

I don’t know,” Car­los replied.

I don’t believe you.”

It’s true. I have no idea where it is.”

Ah,” said Samuel, a smile creep­ing across his scruffy face, “but, I did not ask you where it was. No. I asked you how I find it. I know all of your lit­tle for­tuneteller tricks. You can see so much.” Samuel paused in his move­ment and faced Car­los. “Try for me, Ora­cle. Try and do not fail.”

 Car­los real­ized what Samuel really wanted. The fear of what the request could mean drove cold chills down Car­los’ spine. He wasn’t even cer­tain he could do what the man was ask­ing. Even if he did, he was almost pos­i­tive that it would be his last look into the future. He watched as Samuel tilted his head toward him, the man’s thoughts turn­ing dark over what would be his next steps should Car­los refuse. Tak­ing a deep breath, the son of Apollo nod­ded at Samuel and closed his eyes. He con­cen­trated on slow­ing his breath­ing, dif­fi­cult with such threat star­ing down at him. Nev­er­the­less, he attempted to relax, to open his mind, to focus his thoughts.

Car­los’ head lolled down, chin to chest, as he swayed side-to-side seated upon the cold con­crete. A hum emanated from him as he began to sing-song words as they came to him from some dis­tant pos­si­bil­ity, some future that may or may not occur. “Retrieve the Tome from noth­ing­ness and see,” he sang, “that what was the future shall never be.” The words echoed through the dis­used kitchen. Car­los’ eyes flut­tered as he began to return from his pre­c­og­nizant trance.

Hmnh,” Samuel mur­mured, his lips once again pursed in thought. “Interesting.”

Car­los opened and closed his eyes, clear­ing his head of the fuzzi­ness which came as part and par­cel of his visions. He noticed Samuel was pac­ing around the edge of the room once again, his eyes never leav­ing Car­los for more than a sec­ond or two. Car­los stood in order to face him, just as the man stopped and peered with pur­pose at him.

You know who I am, so you have a clue as to what I am capa­ble of. Cor­rect?” Car­los nod­ded in response, afraid to say any­thing. Samuel returned the nod. “I ask you to be fully aware that my goal in com­ing here was not to do you any harm. I stated as much ear­lier. I will move on about on my jour­ney, leav­ing you to your piti­ful, soli­tary life here. How­ever,” he con­tin­ued, “should you find it nec­es­sary to inform any other per­son, liv­ing or dead, about our lit­tle visit, I will shift my pri­or­i­ties. At that point, make no mis­take, my goal will be to do as much harm to you as I pos­si­bly can prior to releas­ing you from your so-called life. Do I make myself per­fectly clear?”

Car­los nod­ded with enthu­si­asm as Samuel stepped back into the shad­ows and melted away into dark­ness, leav­ing the ora­cle to slump his shoul­ders in relief and appre­hen­sion. Samuel was on the same path as Alexis. Car­los knew that Alexis was not your aver­age demigod. Still, she was young and inex­pe­ri­enced. He hoped that the daugh­ter of night would sur­vive the com­ing con­fronta­tion with Samuel. Not many did when cross­ing the son of Hades.

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