Tag-Archive for » apollo «

Big Ol’ Writing Goals

Title_______________RED TOME

Sub-Title___________Book Two of The Progeny

Cur­rent Word Count__4,300

Goal Word Count____110,000

==========================================

It has begun!

It took me seven years to write my first novel, The Weight Of Night, a tale of demigods and gods, of love and loss and treach­ery and des­tiny. To be receiv­ing the won­der­ful reviews and rat­ings I have been receiv­ing is kind of over­whelm­ing! It gives me hope that I might just have a future at this writ­ing thing.

I’ve been a busy boy since TWoN was pub­lished, in Jan­u­ary 2011. I’ve co-founded an inde­pen­dent writ­ers’ co-op; I’ve released a few shorts for the Kin­dle; and, I’ve writ­ten and pub­lished a nov­el­ette of The Prog­eny called Trin­kets And Arrows. TAA is based upon TWoN in a way…it is Lily Abrams’ *ori­gin tale*, relat­ing how she first came to under­stand her role as a demigod and her first meet­ing with the Greek god of the sun and of prophecy, Apollo.

I have a cou­ple of other novelettes/novellas that take place in the world of the Prog­eny, but I knew I had to dive back in and con­tinue Alexis’ story.

In TWoN, Alexis spent most of the time try­ing to grasp who she truly was and what she might be capa­ble of; whereas, now, as she and Keats and Lily move into even more dan­ger­ous ter­ri­tory, she pretty much under­stands who she is. For bet­ter or worse. Alexis begins to real­ize that she has a lot of her mother, Nyx, in her than she would pre­fer, actu­ally. As her rela­tion­ship with Keats grows, she also has to deal with a level of emo­tion with which she is cer­tainly not famil­iar. This, of course, can only lead to trouble.

With Red Tome, the next book in the series, I have sev­eral goals in mind. Very spe­cific goals. Alexis and her expand­ing lev­els of emo­tion, her dif­fi­culty in deal­ing with them is one of those goals. We all expe­ri­ence a crazy level of emo­tion once we hit puberty, it’s called life. How­ever, with Alexis, once she hit puberty, her lev­els of emo­tion shifted in the oppo­site direc­tion, due to her her­itage. So how does one deal with such things? How does a beau­ti­ful girl, who real­izes that love is tak­ing hold in her heart, face the fact that she places that love in dan­ger every step she takes?

I have my work cut out for me, don’t I?

In future entries, here at The Green Room, I will talk about how things are going with the writ­ing of Red Tome, as well as dig into some other goals I have for the book (and the one after). So look for me to dig a lit­tle deeper into the psy­che of a writer, the depth of fic­tional char­ac­ters and the tra­vails of plot­ting a novel. Oh! FUN!

By the way, are you a writer? Have you ever set out spe­cific goals in your writ­ing? What were they? Did you accom­plish them? Did you even get around to attempt­ing them? I’d love to hear you thoughts on the subject!

Good writ­ing, my friends!

Share

GODS BEHAVING BADLY

Pulled from Rot­ten Toma­toes’ Weekly Ketchup:

CHRISTOPHER WALKEN IS ONE OF THE GODS BEHAVING BADLY
HBO just recently con­firmed devel­op­ment of a series based on Neil Gaiman’s Amer­i­can Gods, and now a very sim­i­lar inde­pen­dent com­edy is also being pro­duced, based on the Marie Phillips novel Gods Behav­ing Badly. Ali­cia Sil­ver­stone and Ebon Moss-Bachrach (The Lake House) will play a cou­ple who dis­cover a dys­func­tional fam­ily of down-on-their-luck deities squab­bling and fight­ing and try­ing to fig­ure out how to func­tion in a time when they’re no longer quite as pow­er­ful as they once were. And that leads us to the all-star cast, which includes Christo­pher Walken as Zeus, Edie Falco as Artemis, Rosie Perez as Perse­phone, Oliver Platt as Apollo, Sharon Stone as Aphrodite and John Tur­turro as Hades. Inde­pen­dent pro­ducer Marc Turtle­taub (Lit­tle Miss Sun­shine, Away We Go) is mak­ing his fea­ture direc­to­r­ial debut with Gods Behav­ing Badly from a script by new­comer screen­writer Josh Gold­faden. Film­ing is already expected to start soon in New York, start­ing in mid-July, 2011.

——————–

So, this is both good news and Great news from my own self­ish and ambitonal per­spec­tive.  First off, I am a HUGE Neil Gaiman fan; sec­ondly, any­thing involv­ing Greek gods has my atten­tion (hence my novel and nov­el­ette, as well as my upcom­ing novel); and thirdly, any uptick in inter­est sur­round­ing Greek mythol­ogy can only be a boon to me. I hope.

So, what are your thoughts on the above devel­op­ments? Have you read either Gods Behav­ing Badly or Amer­i­can Gods? How about my The Weight Of Night?

Is your inter­est­ing peak­ing or drop­ping like a stone?

 

 

Tide of Shadow

Red TomeI thought I would share the pro­logue of the sec­ond novel in my Prog­eny series today. It still needs a lit­tle work, but I feel it is evoca­tive enough to deal with any commentary. :)


PROLOGUE

Car­los called no par­tic­u­lar place home yet this loca­tion came as close as any. The day had waned and twi­light was creep­ing in on the dilap­i­dated ruins of the West Park Asy­lum in Sur­rey. Car­los, young and mocha-shinned, lin­gered here, in the silence of ruins, among the bro­ken ovens and rusted frames of one of the long-unused stain­less steel kitchens which sat in situ beneath the rows of sky­light win­dows over­head. The baby blue of the atmos­phere miles above shifted to a darker, navy blue as dusk closed in. Car­los knew Samuel would be here soon. He had seen it. What he had not seen, and could not for some rea­son, was what hap­pened next. This fact, against his abil­ity to fore­see the future, wor­ried him to no end. Such a blank spot in his own future had hap­pened only once before, and that inci­dent he chose not to dwell upon.

He shuf­fled closer to the cen­ter of the room, away from the deep­en­ing shad­ows which crept down from the walls and edged nearer to his posi­tion. The smell of the stag­nant water that lay pud­dled beneath a leak in one of the sky­lights min­gled with the rusty aroma of the chipped and crum­bling red brick walls encas­ing the expan­sive space. Car­los noted the smells, once famil­iar and safe, now held a sense of fore­bod­ing that sent a chill trac­ing the length of his spine.

He felt the unnat­ural alter­ing of the room’s tem­per­a­ture and wrapped his arms around him­self in a less than com­fort­ing hug. The shad­ows mutated by the tall swing­ing doors through which the staff once entered and exited the kitchen. The dark­ness elon­gated, flowed against the nat­ural shift of the fail­ing light, and stretched out­ward toward Car­los. He watched as the pecu­liar tide of shadow then rejoined with the main body and deep­ened, form­ing an ink spot against the lighter tones of shadow.

The ink spot con­gealed and formed into a sil­hou­ette, which then sculpted itself into a tall, dark man who appeared to be in his mid-twenties. He had a scruff of days-old beard, the out­line of a goa­tee thicker and darker than the rest, and not a hair on his head. Whether the bald­ness was by choice or genet­ics, Car­los could not tell. The man stepped from the shad­ows and closed on Car­los, who backed away, main­tain­ing his dis­tance from the man.

You do me an injus­tice, Ora­cle,” the man said to Car­los, feign­ing offense and call­ing the boy by his dis­liked nick­name. “I mean you no harm.”

You lie,” Car­los replied, con­tin­u­ing the dance to keep his dis­tance from the man.

Do I?” Samuel stopped and stared. “Do you know who I am?” Car­los nod­ded. Samuel pursed his lips and nod­ded once in return. “I see. So, you have some idea of what I want?” Another nod. “Excel­lent. Then we should get down to busi­ness.” In the blink of an eye, Samuel melted into the shad­ows that sur­rounded them and faded from sight.

Car­los twirled in cir­cles search­ing for any sign of Samuel’s reap­pear­ance. He darted for the swing­ing doors only to have the fore­bod­ing demigod emerge from the shad­ows, block­ing his path.

This is an inter­est­ing place,” Samuel stated, his hands clasped behind his back. He wore a dark blue jean jacket that fell open in front to reveal his black t-shirt. The jacket matched his jeans and, as he walked about the room, his engi­neer boots clomped on the cold con­crete floor. “Did you know that this hos­pi­tal could house upwards of two thou­sand patients at the height of its capac­ity? It even had its own rail­way for a period of time. But, that was removed by 1950. Can’t really tell it was even here any longer. Time decays all.” The man opened his arms in a sign of inno­cence, con­tin­u­ing to stroll in a cir­cle around Car­los, his heavy boots always touch­ing the shad­ows stretch­ing out from the walls. “I told you, Ora­cle. I’m not here to harm you. How­ever, if you test my patience again by attempt­ing to leave before giv­ing me what I want, my objec­tives may shift accord­ingly. Do we under­stand each other?”

Car­los watched Samuel’s eyes, dark and unblink­ing. He nod­ded in sur­ren­der and moved back to the cen­ter of the room and sat cross-legged on the cold con­crete floor. What­ever his fate may now be, he was fly­ing blind. Just like every­one else who was not the child of Apollo.

Fine,” he said to the man. “I think I know what you want, but—“

Allow me to enlighten you,” Samuel said, return­ing his hands to clasp behind his back. “I want to know about the Tome. The Red Tome. How do I find it?”

I don’t know,” Car­los replied.

I don’t believe you.”

It’s true. I have no idea where it is.”

Ah,” said Samuel, a smile creep­ing across his scruffy face, “but, I did not ask you where it was. No. I asked you how I find it. I know all of your lit­tle for­tuneteller tricks. You can see so much.” Samuel paused in his move­ment and faced Car­los. “Try for me, Ora­cle. Try and do not fail.”

 Car­los real­ized what Samuel really wanted. The fear of what the request could mean drove cold chills down Car­los’ spine. He wasn’t even cer­tain he could do what the man was ask­ing. Even if he did, he was almost pos­i­tive that it would be his last look into the future. He watched as Samuel tilted his head toward him, the man’s thoughts turn­ing dark over what would be his next steps should Car­los refuse. Tak­ing a deep breath, the son of Apollo nod­ded at Samuel and closed his eyes. He con­cen­trated on slow­ing his breath­ing, dif­fi­cult with such threat star­ing down at him. Nev­er­the­less, he attempted to relax, to open his mind, to focus his thoughts.

Car­los’ head lolled down, chin to chest, as he swayed side-to-side seated upon the cold con­crete. A hum emanated from him as he began to sing-song words as they came to him from some dis­tant pos­si­bil­ity, some future that may or may not occur. “Retrieve the Tome from noth­ing­ness and see,” he sang, “that what was the future shall never be.” The words echoed through the dis­used kitchen. Car­los’ eyes flut­tered as he began to return from his pre­c­og­nizant trance.

Hmnh,” Samuel mur­mured, his lips once again pursed in thought. “Interesting.”

Car­los opened and closed his eyes, clear­ing his head of the fuzzi­ness which came as part and par­cel of his visions. He noticed Samuel was pac­ing around the edge of the room once again, his eyes never leav­ing Car­los for more than a sec­ond or two. Car­los stood in order to face him, just as the man stopped and peered with pur­pose at him.

You know who I am, so you have a clue as to what I am capa­ble of. Cor­rect?” Car­los nod­ded in response, afraid to say any­thing. Samuel returned the nod. “I ask you to be fully aware that my goal in com­ing here was not to do you any harm. I stated as much ear­lier. I will move on about on my jour­ney, leav­ing you to your piti­ful, soli­tary life here. How­ever,” he con­tin­ued, “should you find it nec­es­sary to inform any other per­son, liv­ing or dead, about our lit­tle visit, I will shift my pri­or­i­ties. At that point, make no mis­take, my goal will be to do as much harm to you as I pos­si­bly can prior to releas­ing you from your so-called life. Do I make myself per­fectly clear?”

Car­los nod­ded with enthu­si­asm as Samuel stepped back into the shad­ows and melted away into dark­ness, leav­ing the ora­cle to slump his shoul­ders in relief and appre­hen­sion. Samuel was on the same path as Alexis. Car­los knew that Alexis was not your aver­age demigod. Still, she was young and inex­pe­ri­enced. He hoped that the daugh­ter of night would sur­vive the com­ing con­fronta­tion with Samuel. Not many did when cross­ing the son of Hades.

Share

Werewolves and Stars

We’ve seen how dark and tragic the tales of demigods can be in Greek mythol­ogy. Alas, today’s tale is no dif­fer­ent. (Surprise!)

It seems that pretty much all of the demigods born of divine unions are des­tined to live dif­fi­cult if not tragic lives. One would think that the off­spring of the ruler of the gods, Zeus, would have it a bit eas­ier.  Nope.  Take this tale for instance.

Artemis is one of the most widely revered of all of the Greek god­desses; in fact, some believe that she even pre­dates the orig­i­nal Greek mythos. She was the vir­gin twin sis­ter of Apollo, and served as the god­dess of the hunt, the wilder­ness, wild ani­mals, vir­gin­ity and young girls. Like her brother she was unmatched her abil­i­ties with a bow and arrow. Her ret­inue con­sisted mostly of fauna and nymphs.

One of these nymphs was named Cal­listo, and she was a hot­tie, indeed. I sup­pose nymph is only a par­tially appro­pri­ate title, as Cal­listo was a princess. She was the daugh­ter of Lycaon, the King of Arca­dia (we’ll get to him shortly), and she took a vow of chastity upon join­ing Artemis’ ret­inue. But, all that begins well does not end well in the mythos of the Greeks.

Zeus lusted after Cal­listo and real­iz­ing he could not have her as him­self, he dis­guised him­self as Artemis, gained Callisto’s trust and then seduced (some say forcibly took) the girl. The result was two-fold: Cal­listo gave birth to a son named Arcas, and Hera (Zeus’ wife) and Artemis were so enraged (mis­placed though it may have been, that they turned Cal­listo into a bear.

Hera would have done the same to Arcas, but Zeus stole the child away and hid him in the area of Greece ruled over by the boy’s mater­nal grand­fa­ther, Lycaon. Lycaon was not a par­tic­u­larly sane indi­vid­ual.  Arcas lived in safety until his grand­fa­ther, one day, placed him upon the burn­ing alter as a sac­ri­fice to the gods.  He railed at Zeus, “If you think you are so clever, make your son whole and unharmed.”

Need­less to say, Zeus was pissed.  He did, indeed, make Arcas whole and safe again and then turned his anger upon Lycaon, turn­ing him into the first werewolf.

After this event, Arcas became the new king of the land now called Arca­dia in his honor. He, like his mother, became a great and revered hunter in the land.  One day he was out hunt­ing and encoun­tered  his mother (in bear form), who imme­di­ately rec­og­nized him and moved to embrace him. Arcas, of course, had no idea that this bear was hi mother and he moved to kill her with his bow and arrow.

Zeus, see­ing this, took pity upon the two, pre­vent­ing Arcas from killing his mother. He decided to place them together for­ever, in the heav­ens, where they remain today, as the con­stel­la­tions Ursa Major and Ursa Minor, the big and lit­tle bears.

Were­wolves and stars, the tale of a demigod.