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Big Ol’ Writing Goals

Title_______________RED TOME

Sub-Title___________Book Two of The Progeny

Cur­rent Word Count__4,300

Goal Word Count____110,000

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It has begun!

It took me seven years to write my first novel, The Weight Of Night, a tale of demigods and gods, of love and loss and treach­ery and des­tiny. To be receiv­ing the won­der­ful reviews and rat­ings I have been receiv­ing is kind of over­whelm­ing! It gives me hope that I might just have a future at this writ­ing thing.

I’ve been a busy boy since TWoN was pub­lished, in Jan­u­ary 2011. I’ve co-founded an inde­pen­dent writ­ers’ co-op; I’ve released a few shorts for the Kin­dle; and, I’ve writ­ten and pub­lished a nov­el­ette of The Prog­eny called Trin­kets And Arrows. TAA is based upon TWoN in a way…it is Lily Abrams’ *ori­gin tale*, relat­ing how she first came to under­stand her role as a demigod and her first meet­ing with the Greek god of the sun and of prophecy, Apollo.

I have a cou­ple of other novelettes/novellas that take place in the world of the Prog­eny, but I knew I had to dive back in and con­tinue Alexis’ story.

In TWoN, Alexis spent most of the time try­ing to grasp who she truly was and what she might be capa­ble of; whereas, now, as she and Keats and Lily move into even more dan­ger­ous ter­ri­tory, she pretty much under­stands who she is. For bet­ter or worse. Alexis begins to real­ize that she has a lot of her mother, Nyx, in her than she would pre­fer, actu­ally. As her rela­tion­ship with Keats grows, she also has to deal with a level of emo­tion with which she is cer­tainly not famil­iar. This, of course, can only lead to trouble.

With Red Tome, the next book in the series, I have sev­eral goals in mind. Very spe­cific goals. Alexis and her expand­ing lev­els of emo­tion, her dif­fi­culty in deal­ing with them is one of those goals. We all expe­ri­ence a crazy level of emo­tion once we hit puberty, it’s called life. How­ever, with Alexis, once she hit puberty, her lev­els of emo­tion shifted in the oppo­site direc­tion, due to her her­itage. So how does one deal with such things? How does a beau­ti­ful girl, who real­izes that love is tak­ing hold in her heart, face the fact that she places that love in dan­ger every step she takes?

I have my work cut out for me, don’t I?

In future entries, here at The Green Room, I will talk about how things are going with the writ­ing of Red Tome, as well as dig into some other goals I have for the book (and the one after). So look for me to dig a lit­tle deeper into the psy­che of a writer, the depth of fic­tional char­ac­ters and the tra­vails of plot­ting a novel. Oh! FUN!

By the way, are you a writer? Have you ever set out spe­cific goals in your writ­ing? What were they? Did you accom­plish them? Did you even get around to attempt­ing them? I’d love to hear you thoughts on the subject!

Good writ­ing, my friends!

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Tide of Shadow

Red TomeI thought I would share the pro­logue of the sec­ond novel in my Prog­eny series today. It still needs a lit­tle work, but I feel it is evoca­tive enough to deal with any commentary. :)


PROLOGUE

Car­los called no par­tic­u­lar place home yet this loca­tion came as close as any. The day had waned and twi­light was creep­ing in on the dilap­i­dated ruins of the West Park Asy­lum in Sur­rey. Car­los, young and mocha-shinned, lin­gered here, in the silence of ruins, among the bro­ken ovens and rusted frames of one of the long-unused stain­less steel kitchens which sat in situ beneath the rows of sky­light win­dows over­head. The baby blue of the atmos­phere miles above shifted to a darker, navy blue as dusk closed in. Car­los knew Samuel would be here soon. He had seen it. What he had not seen, and could not for some rea­son, was what hap­pened next. This fact, against his abil­ity to fore­see the future, wor­ried him to no end. Such a blank spot in his own future had hap­pened only once before, and that inci­dent he chose not to dwell upon.

He shuf­fled closer to the cen­ter of the room, away from the deep­en­ing shad­ows which crept down from the walls and edged nearer to his posi­tion. The smell of the stag­nant water that lay pud­dled beneath a leak in one of the sky­lights min­gled with the rusty aroma of the chipped and crum­bling red brick walls encas­ing the expan­sive space. Car­los noted the smells, once famil­iar and safe, now held a sense of fore­bod­ing that sent a chill trac­ing the length of his spine.

He felt the unnat­ural alter­ing of the room’s tem­per­a­ture and wrapped his arms around him­self in a less than com­fort­ing hug. The shad­ows mutated by the tall swing­ing doors through which the staff once entered and exited the kitchen. The dark­ness elon­gated, flowed against the nat­ural shift of the fail­ing light, and stretched out­ward toward Car­los. He watched as the pecu­liar tide of shadow then rejoined with the main body and deep­ened, form­ing an ink spot against the lighter tones of shadow.

The ink spot con­gealed and formed into a sil­hou­ette, which then sculpted itself into a tall, dark man who appeared to be in his mid-twenties. He had a scruff of days-old beard, the out­line of a goa­tee thicker and darker than the rest, and not a hair on his head. Whether the bald­ness was by choice or genet­ics, Car­los could not tell. The man stepped from the shad­ows and closed on Car­los, who backed away, main­tain­ing his dis­tance from the man.

You do me an injus­tice, Ora­cle,” the man said to Car­los, feign­ing offense and call­ing the boy by his dis­liked nick­name. “I mean you no harm.”

You lie,” Car­los replied, con­tin­u­ing the dance to keep his dis­tance from the man.

Do I?” Samuel stopped and stared. “Do you know who I am?” Car­los nod­ded. Samuel pursed his lips and nod­ded once in return. “I see. So, you have some idea of what I want?” Another nod. “Excel­lent. Then we should get down to busi­ness.” In the blink of an eye, Samuel melted into the shad­ows that sur­rounded them and faded from sight.

Car­los twirled in cir­cles search­ing for any sign of Samuel’s reap­pear­ance. He darted for the swing­ing doors only to have the fore­bod­ing demigod emerge from the shad­ows, block­ing his path.

This is an inter­est­ing place,” Samuel stated, his hands clasped behind his back. He wore a dark blue jean jacket that fell open in front to reveal his black t-shirt. The jacket matched his jeans and, as he walked about the room, his engi­neer boots clomped on the cold con­crete floor. “Did you know that this hos­pi­tal could house upwards of two thou­sand patients at the height of its capac­ity? It even had its own rail­way for a period of time. But, that was removed by 1950. Can’t really tell it was even here any longer. Time decays all.” The man opened his arms in a sign of inno­cence, con­tin­u­ing to stroll in a cir­cle around Car­los, his heavy boots always touch­ing the shad­ows stretch­ing out from the walls. “I told you, Ora­cle. I’m not here to harm you. How­ever, if you test my patience again by attempt­ing to leave before giv­ing me what I want, my objec­tives may shift accord­ingly. Do we under­stand each other?”

Car­los watched Samuel’s eyes, dark and unblink­ing. He nod­ded in sur­ren­der and moved back to the cen­ter of the room and sat cross-legged on the cold con­crete floor. What­ever his fate may now be, he was fly­ing blind. Just like every­one else who was not the child of Apollo.

Fine,” he said to the man. “I think I know what you want, but—“

Allow me to enlighten you,” Samuel said, return­ing his hands to clasp behind his back. “I want to know about the Tome. The Red Tome. How do I find it?”

I don’t know,” Car­los replied.

I don’t believe you.”

It’s true. I have no idea where it is.”

Ah,” said Samuel, a smile creep­ing across his scruffy face, “but, I did not ask you where it was. No. I asked you how I find it. I know all of your lit­tle for­tuneteller tricks. You can see so much.” Samuel paused in his move­ment and faced Car­los. “Try for me, Ora­cle. Try and do not fail.”

 Car­los real­ized what Samuel really wanted. The fear of what the request could mean drove cold chills down Car­los’ spine. He wasn’t even cer­tain he could do what the man was ask­ing. Even if he did, he was almost pos­i­tive that it would be his last look into the future. He watched as Samuel tilted his head toward him, the man’s thoughts turn­ing dark over what would be his next steps should Car­los refuse. Tak­ing a deep breath, the son of Apollo nod­ded at Samuel and closed his eyes. He con­cen­trated on slow­ing his breath­ing, dif­fi­cult with such threat star­ing down at him. Nev­er­the­less, he attempted to relax, to open his mind, to focus his thoughts.

Car­los’ head lolled down, chin to chest, as he swayed side-to-side seated upon the cold con­crete. A hum emanated from him as he began to sing-song words as they came to him from some dis­tant pos­si­bil­ity, some future that may or may not occur. “Retrieve the Tome from noth­ing­ness and see,” he sang, “that what was the future shall never be.” The words echoed through the dis­used kitchen. Car­los’ eyes flut­tered as he began to return from his pre­c­og­nizant trance.

Hmnh,” Samuel mur­mured, his lips once again pursed in thought. “Interesting.”

Car­los opened and closed his eyes, clear­ing his head of the fuzzi­ness which came as part and par­cel of his visions. He noticed Samuel was pac­ing around the edge of the room once again, his eyes never leav­ing Car­los for more than a sec­ond or two. Car­los stood in order to face him, just as the man stopped and peered with pur­pose at him.

You know who I am, so you have a clue as to what I am capa­ble of. Cor­rect?” Car­los nod­ded in response, afraid to say any­thing. Samuel returned the nod. “I ask you to be fully aware that my goal in com­ing here was not to do you any harm. I stated as much ear­lier. I will move on about on my jour­ney, leav­ing you to your piti­ful, soli­tary life here. How­ever,” he con­tin­ued, “should you find it nec­es­sary to inform any other per­son, liv­ing or dead, about our lit­tle visit, I will shift my pri­or­i­ties. At that point, make no mis­take, my goal will be to do as much harm to you as I pos­si­bly can prior to releas­ing you from your so-called life. Do I make myself per­fectly clear?”

Car­los nod­ded with enthu­si­asm as Samuel stepped back into the shad­ows and melted away into dark­ness, leav­ing the ora­cle to slump his shoul­ders in relief and appre­hen­sion. Samuel was on the same path as Alexis. Car­los knew that Alexis was not your aver­age demigod. Still, she was young and inex­pe­ri­enced. He hoped that the daugh­ter of night would sur­vive the com­ing con­fronta­tion with Samuel. Not many did when cross­ing the son of Hades.

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This Writer’s Journey

Let’s talk about writing.

I began writ­ing when I was given an assign­ment in Span­ish class in my first year of high school. Mrs. Vir­ginia Grif­fin.  I still remem­ber her name, because she is the first per­son to ever encour­age me to write.

The story was par­tially in Span­ish and writ­ten as most fourteen-year-old kids would write: like crap. Nev­er­the­less it received an A+ and a moment aside with Mrs. Grif­fin, who sug­gested that I might just have a knack for sto­ry­telling.  I’d never even thought about it before that.

Oh, I had writ­ten sto­ries and movies that played in my head all the time. If there was one thing I had an abun­dance of while grow­ing up in the farm­land of North Car­olina, it was imag­i­na­tion. God knows if you didn’t you’d wind up in a heap o’ trou­ble, boy, let me tell you.  Of course, my imag­i­na­tion even­tu­ally got the bet­ter of me and landed me in hot water a time or nine.

Back to the writ­ing bit.

After that first rough start, I began to scrib­ble down other tales of adven­ture.  Look­ing back, I real­ize that my writ­ings tended to lean a lit­tle to the dark side. When you have the fam­ily dynam­ics and lack of riches I expe­ri­enced as a child, I sup­pose it was inevitable. (I never knew the name Pollyanna until I was in my twen­ties I kid you not.)

I recently came upon some writ­ings of mine that date back to the mid-eighties. There is a hint of romance in much of those older pieces; some­thing I would not truly expe­ri­ence until I was nearly thirty. There was always the edge of adven­ture, of liv­ing a greater life of dan­ger or reck­less­ness. I think the term is: vicarious.

My short sto­ries improved over the years until I wrote some­thing called The Moon From Heaven, a 26000-word piece about a vam­pire who had tired of her life and wanted to kill her­self, but her ethics wouldn’t allow it. Yeah, I know. It was not the most inspired of ideas.  Still, once I had com­pleted the first draft, I let a few friends read it and they all loved it. (I reread the orig­i­nal a few months ago… hor­ri­ble.  Really hor­ri­ble.) Their response gave me the con­fi­dence to go for more, to try and evolve the tale to greater heights.

This is what it takes, folks.  It takes years of writ­ing and get­ting feed­back and rewrit­ing and doing it over and over again. Write. Write. Write. That’s what I’m telling you. And, I am not the only one.

It was in 2003 that I wrote a story that would change the course of my writ­ing and put me on a path I had only ever dreamed about.  I was mem­ber of the writ­ing forum, Arcane Artistry (now, Leg­end­Fire), and entered a con­test that was based around a pre­set title. The title was Dark­ness Within Aven­hale.

I had no idea what I was going to write for this con­test. I just sat down one day and began peck­ing at the keys, let­ting the words take me wher­ever they wanted. What came out of those many days of light trance-writing was the ini­tial story of a girl who was about to grad­u­ate high school, had an eidetic mem­ory and only one friend to her name. She came to learn that her life had been built upon a lie. The truth of the mat­ter was that the woman she knew as her mom was not really her true mother. The girl learned that she was, in fact, the child of an ancient Greek god­dess: the god­dess of night, Nyx.

In the end, my story won first place in the con­test and I once again expe­ri­enced the rush of hear­ing folks tell me that I should do more with the story.  I had only touched the tip of the ice­berg, so to speak.

Now, I have writ­ten my first novel based upon those ini­tial 3000 words:  The Weight Of Night.  In addi­tion, Alexis’ tale has grown so greatly that this is the first in a series of planned nov­els that trace her evo­lu­tion from pam­pered teenager to pow­er­ful demigod. It has become my pas­sion, telling this girl’s tale. The char­ac­ters have come to life.  They live and breathe for me. It’s absolutely awesome.

When we, as writ­ers, go through our jour­ney (and it’s cer­tainly dif­fer­ent for each of us) we learn so much more about our­selves via the char­ac­ters we cre­ate.  We breathe the very life into them so that they can then lead us on their jour­ney.  We become observers and tag-alongs.  We let them deter­mine their path.  We only lend a hand when they need it.

My jour­ney began with a Span­ish class assign­ment that put me on the path that led me to fol­low my dream. Thirty-some-odd years later, I’m hap­pier than I’ve ever been in my entire life.

So, what was your cat­a­lyst? Was there some­one who helped put you on your path?

Are you liv­ing your dream? Are you even pur­su­ing it?

Are you happy?

 

Of Daimones And Hope

When­ever we talk about gods and god­desses and mythol­ogy, the con­ver­sa­tion will ulti­mately come around to reli­gion.  With good rea­son.  This week we’ll dis­cover the leg­end of Pan­dora and how her tale mir­rors that of the cre­ation the­ory of Chris­tians. How­ever, the fact of the mat­ter is that Pandora’s leg­end dates back far­ther than any writ­ings of the bible, by far.  What does this sig­nify? Oh, well, we could debate that until the End Times, I’m cer­tain.  But, let’s keep this light, shall we?  (Or, as light as the tale can be, when relat­ing the ancient myths.)

Prometheus was a Titan (exist­ing before the Greek gods such as Zeus and Apollo and along­side them for some time), who was orig­i­nally assigned the task of cre­at­ing man.  Prometheus found he was dis­pleased with the man’s lot in the world and stole fire from heaven and gifted it to man — a mis­take he paid for by being chained to a rock and hav­ing a huge eagle tear into him and eat his liver, only to have the wound heal and his liver regen­er­ate so that the hor­ror could be repeated daily. (Obvi­ously, Zeus was never one for sim­ple or mun­dane punishments!)

Zeus then com­manded Hep­hais­tos and the other gods to cre­ate the first woman from clay, instill­ing her with beauty and cun­ning.  This first woman’s name was Pandora.

Zeus deliv­ered Pan­dora to the younger brother of Prometheus as a bride.  Once received into the young man’s home, Pan­dora unwit­tingly opened the pithos (stor­age jar) that Zeus had pre­sented to her as a wed­ding gift.  This was not with­out con­se­quence, of course. From within the pithos escaped the many evil spir­its which would for­ever plague mankind: kakoi (evils), nosoi (sick­nesses and plagues) and lugra (banes).

Some of the dai­mones released from the pithos were the Keres, spir­its of vio­lent or cruel death, includ­ing death in bat­tle, rav­aging dis­ease, acci­dent or mur­der. The Keres are depicted as taloned and fanged women dressed in tat­tered, bloody clothes. These Keres are sup­pos­edly the chil­dren of Nyx, the god­dess of Night, who also gave birth to Thanatos, the god of death (the more peace­ful deaths).

Of all the dark­ness that escaped the pithos, only one spirit remained, alone left to com­fort mankind: Elpis (Hope). Elpis is usu­ally shown as a lovely young woman car­ry­ing flow­ers in her arms.  (Her oppo­site, one of the kakoi, is Moros, the spirit of doom and hopelessness.

After Pan­dora had opened the pithos and released the dai­mones onto mankind, she even­tu­ally birthed the first mor­tal child, Pyrrah (which means fire).  Pyrrah and her hus­band, Deu­calion (a son of Prometheus and Pronoia), were the only sur­vivors of the Great Del­uge that wiped out all mankind on the earth. 

At the time, Zeus was angered by the hubris of man and decided to put an end to the Bronze Age. He let loose a tor­ren­tial del­uge, the rain caus­ing the rivers to over­flow and the seas to wash over the coastal plains, engulf­ing the foothills and wash­ing every­thing clean.

With the help of his father, Deu­calion sur­vived by build­ing a great chest (think, Noah), in which he and Pyrrah survived.

In order to repop­u­late the earth, Pyrrah and Deu­calion each cast stones over their shoul­ders; those cast by Pyrrah formed women and those cast by Deu­calion formed men.

As with the cre­ation the­ory, the story of Prometheus and Pan­dora leave a lot of ques­tions unan­swered.  For instance: the time­line is a bit wonky, with Prometheus chained to a rock, how did he help Deu­calion dur­ing the del­uge? If Pyrrah was the first-born mor­tal child, where did all of the oth­ers of the Bronze Age come from? (What was the lifes­pan back then?) And, don’t get me started on the whole “stones cast over the shoul­der” thing.

Nev­er­the­less, hun­dreds (if not thou­sands) of years prior to Chris­tian­ity, these tales existed.

Coin­ci­dence?

What do you think?

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