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Getting Out Alive

You know, it’s funny. When one reads about how to “prop­erly” blog, the one thing that is reit­er­ated time and again is to talk not about your “prod­uct” but more about your­self or your area of inter­ests.
Well, I can’t say that I don’t like to talk about myself. Hell, it’s one of the few sub­jects in which I am well-versed!
So, although I know I have a bio (or four) out there on the intrawebz, I thought today I …

Getting Out Alive

You know, it’s funny. When one reads about how to “prop­erly” blog, the one thing that is reit­er­ated time and again is to talk not about your “prod­uct” but more about your­self or your area of interests.

Well, I can’t say that I don’t like to talk about myself. Hell, it’s one of the few sub­jects in which I am well-versed!

So, although I know I have a bio (or four) out there on the intrawebz, I thought today I would per­form a bit of self-analyzing. This should be fun!

First off, I would like to apol­o­gize for the extended lull in my posts. The Wife and I wound up with a nasty sum­mer cold that hit us with the force of a bullet-train. Three weeks for me and four for the Wife. It has had us won­der­ing at the true abil­ity of antibi­otics, since they were cer­tainly not serv­ing us with the expected results.

Per­son­ally, I hate and dread being sick.  I feel like I can’t get any­thing done and being unpro­duc­tive — in some shape man­ner or form — is like kryp­tonite to me. It only makes me irri­ta­ble and frustrated.

Dur­ing this past instance, I was par­tic­u­larly frus­trated, as I have been work­ing so hard on my baby: Dark Red Press. It’s an author co-op, an LLC that myself and my part­ners have been try­ing to get set up and running.

In case you’ve been hid­ing under some large and shel­ter­ing igneous out­crop­ping, the pub­lish­ing indus­try is chang­ing dra­mat­i­cally. (For only one exam­ple, check out Chris­tine Rose’s recent post.) In efforts to main­tain a greater cre­ative con­trol over our prod­ucts (our sto­ries and books and cov­ers, etc.), my part­ners and I have cre­ated Dark Red Press. Inde­pen­dent and entirely member-run and operated.

So, any­way, with my being sick I didn’t get a whole hel­luva lot done on DRP.

Nor did I get to post much dur­ing that time.

Please for­give me.

Now, on to the task at hand.

Like far too many folks, I had a pretty caus­tic and detri­men­tal child­hood. My one gift, the one that allowed me to sur­vive the envi­ron­ment in which I was raised, was my abil­ity to cut myself off from what was going on. I could see through the bull­shit and not let it affect me psy­cho­log­i­cally. I was lucky. Many are not. Nev­er­the­less, this envi­ron­ment, as one might expect, allowed me to dis­ap­pear into my own imag­i­na­tion quite a bit. Like, every frig­gin’ day.

What came of that was the absolutely won­der­ful abil­ity to cre­ate peo­ple and worlds of lit­tle more than words. It was all in my head to begin with. Then, in mid­dle school, I began to jot things down. Still, it wasn’t until my fresh­man year of high school that I wrote my first short story. Oh, there was no look­ing back after that.

It took a very long time before I shared any of my work with oth­ers. I’d say it was in 1991 that I first shared some­thing I wrote. It was a novella, about 25000 words, called The Moon From Heaven. It was, at its heart, a romance. Yet, one the sur­face, it was a vam­pire tale. The sur­pris­ing thing was that, when I showed to one per­son, they read it, loved it and passed it on to another. I sup­pose it wasn’t really until right then that I thought I might really be able to do what I dreamed: make a liv­ing of writing.

But, time takes its toll. Life gets in the way while you’re mak­ing other plans. All my plans took a back burner to the life I was leading…or, rather, that was lead­ing me.

Mil­i­tary Intel­li­gence is some­times called and oxy­moron. In a few cases, that is exactly what it is. But, not in all cases, and cer­tainly not in the sce­nar­ios I found myself in over the six plus years I spent in the field. I can say this, how­ever: it only added to the library of expe­ri­ences I would use in the future, in my writing.

No mat­ter what any­one says, edu­ca­tion is both for­mal and infor­mal, and expe­ri­ence is far and above the best teacher one could pos­si­bly have. Book learn­ing is won­der­ful, but Mark Twain put it best — “I have never let my school­ing inter­fere with my edu­ca­tion.”

I’ve had some dif­fi­cult lessons learned over the years, most of which were not learned in any type of edu­ca­tional insti­tu­tion. They were learned by trial and error, by expe­ri­enc­ing the wrong way instead of the cor­rect one, and feel­ing the after effects of screw­ing up so badly that I thought I would not come out of things alive.

If there is one thing I have learned about myself over the course of my life it is this. I am a sur­vivor. I will do what it takes to get out of things alive. I will learn what I have to in order to accom­plish those things I set out to accom­plish. I will do what I have to. Sim­ple as that.

What have you learned about your­self over the course of your life?

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Double Helix of Writing

What are you try­ing to do with your writing?

That was the ques­tion some­one asked me the other day. After almost 30 years of writ­ing every­thing from bad poetry to decent short sto­ries and novel­las to my first well-received novel… I was at a loss for words.

What the hell was I try­ing to do with my writing?

I had to think about that for a while. Was there a pur­pose? Was there a goal toward which I was dri­ving? Was there a moral I was try­ing to get across? Some greater theme that teth­ers all of my work like hydro­gen bonds in a DNA strand? Like a string of grade school kids tour­ing a museum?

No. Just. No.

Do I want to be the next Tol­story? Of course not. I don’t even want to be the next Mar­tin or Tolkien or even Hicks.

I just want to write a good story. What I want to do is to write a story that allows a reader to escape from their day-to-day life for a few hours. Truly, that is all. That is my goal. Those are the sto­ries that made me smile and cringe and gasp and curse when I was grow­ing up (and, to this very day). Those are the sto­ries that I have always wanted to write.

Should I have some deeper mean­ing embed­ded in my tale? Only if the tale war­rants it, I should think. I do have char­ac­ters whose lives are dom­i­nated by rash emo­tion, or tend to make poor deci­sions, or per­haps have a bit of a tem­per. Their sto­ries demand some per­spec­tive and there­fore present a web of greater mean­ing than at first per­ceived. But, those bits and pieces of “theme” and “moral­ity” sim­ply grow out of the char­ac­ters’ world. I’m just relat­ing it as best I can.

I cetainly don’t look for­ward to writ­ing the next great Amer­i­can novel. Not my thing. I’m an escapist at heart and — God will­ing — so are my readers.

I will con­tinue to do my best to write a good tale. Fun. Adven­ture­some. Excit­ing. Romantic.

You know… Fantasy!

I only want to help you escape your own world for a lit­tle while, to join me on the adven­ture my char­ac­ters are going through. Share in their laugh­ter, love, pain and excite­ment. That is escapism. Those things are the ties that bind a good tale. The end result is the DNA of a sto­ry­telling. The dou­ble helix of writing.

So, what are your writ­ing goals? Are you look­ing to write the “great Amer­i­can novel?” Are you look­ing to emu­late your hero(es)? To be the next Stephen King? The next Koontz? The next Bunch and Cole?

Or, are you like me?

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Truth and Vamps and Consequences

If you read the pre­vi­ous entry, Caf­feine and Choco­late Might Help, you have an idea of just how ridicu­lously busy I’ve been (and will be) for some time. One of the clos­est projects on my deliv­er­ables hori­zon is a story that is quickly becom­ing near and dear to my heart: Harder vs Stone.  Here is the sum­mary, before I continue:

Harder vs Stone by C.L.Stegall

Harder vs Stone — a Valence of Infin­ity tale — by C.L.Stegall

HARDER VS STONE (a Valence of Infin­ity story) — In a world where vam­pires rise to pow­er­ful com­mu­nity posi­tions, every­one is watched with a cau­tious eye. When one of the world’s most infa­mous assas­sins moves in on the vam­pire tar­get for whom he’s been con­tracted, he never expects to meet some­one more dan­ger­ous than him­self – espe­cially not one sent after the same tar­get. Mer­cury Stone may have finally met his match when he comes up against an oth­er­worldly coun­ter­part – and falls for the one per­son in the world who is not afraid to try and take him out of the game. Permanently.

*E-Novella Avail­able in June 2011*


This story is my first “cross-over” within the worlds I’ve built in my writ­ings over the years. Stone, for instance, is the MC from a novel I’ve been play­ing around with for decades, lit­er­ally. The main rea­son it is tak­ing so long is that it is very *semi-autobiographical* and that makes things SO much more complex!

When you begin writ­ing a story about real events and real peo­ple, the onus on you to pre­serve the truth in even a fic­tional man­ner feels greater, I think. It’s cer­tainly done me in on sev­eral (dozen) occa­sions as I’ve tried writ­ing Stone’s ori­gin tale.

Now, on top of that lies the cold hard facts of real­ity: I spent many years in mil­i­tary intel­li­gence and there are things I can­not, under any cir­cum­stance, speak or write about. That’s just the way it is.  So, then it comes down to cre­ative license. How do I walk the line of pre­sent­ing the infor­ma­tion in a fact-based man­ner that does not “get me in trou­ble” with the gov’mint? :)

Stone’s life takes some very nasty turns on some very piv­otal, very tragic events — some of his own doing, some beyond his con­trol. The path he walks (or, at times, runs) from a young age until the time he is out in the world on his own with his *rep­u­ta­tion* at stake is a long and twist­ing and dan­ger­ous road. Some of his his­tory is mine and that has been the tough­est part. How do I present parts of my own life that I know will be vis­ceral and cathar­tic to both myself and those who knew me dur­ing those times? How do I deal with the after­math of my fic­tional truth? Do I take the chance that I present it well enough that those involved don’t quite rec­og­nize it? Or, do I shut the hell up and write it like I see it, then take the heat like a man?

Like I said: it ain’t easy.

So, back to the cross-over bit. The other MC in the novella is Jessie Harder, who is the vam­piric flip­side to Stone’s assas­sin coin. In the tale, she reminds him of some­one from his past and, for the first time, he lets emo­tion get in the way of his job per­for­mance. This is not a wise deci­sion in his line of work.

Harder, being a vam­pire, is at first not sure what to do about Stone as she doesn’t see him as much of a threat. He is only human, after all. In her world, she rules the roost, so to speak. Her world is that of my vam­pire series Valence of Infin­ity. (Yes, that title has spe­cific mean­ing.) You can sneak a sep­a­rate peek into the VoI world by read­ing the first short story in my col­lec­tion, Ordeals — called One Night In Hol­ly­wood. I have sev­eral shorts and novel­las in the works, built in and around this world of vam­pires and other crea­tures of the night, such as The Moon From Heaven, Read­ing Paris, and Songs From The Heaven Room.

Harder vs Stone allows me to take the char­ac­ters from one world and insert them into another with­out really break­ing the “real­ity” of either.  It’s FUN!

So, any­way, that’s kind of what I’m up to lately, writing-wise.

Oh, and look for the novella in June!

(Also, big news com­ing from me (and a few oth­ers) onMay 1st! StayTuned!)

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