If you read the previous entry, Caffeine and Chocolate Might Help, you have an idea of just how ridiculously busy I’ve been (and will be) for some time. One of the closest projects on my deliverables horizon is a story that is quickly becoming near and dear to my heart: Harder vs Stone. Here is the summary, before I continue:

Harder vs Stone — a Valence of Infinity tale — by C.L.Stegall
HARDER VS STONE (a Valence of Infinity story) — In a world where vampires rise to powerful community positions, everyone is watched with a cautious eye. When one of the world’s most infamous assassins moves in on the vampire target for whom he’s been contracted, he never expects to meet someone more dangerous than himself – especially not one sent after the same target. Mercury Stone may have finally met his match when he comes up against an otherworldly counterpart – and falls for the one person in the world who is not afraid to try and take him out of the game. Permanently.
*E-Novella Available in June 2011*
This story is my first “cross-over” within the worlds I’ve built in my writings over the years. Stone, for instance, is the MC from a novel I’ve been playing around with for decades, literally. The main reason it is taking so long is that it is very *semi-autobiographical* and that makes things SO much more complex!
When you begin writing a story about real events and real people, the onus on you to preserve the truth in even a fictional manner feels greater, I think. It’s certainly done me in on several (dozen) occasions as I’ve tried writing Stone’s origin tale.
Now, on top of that lies the cold hard facts of reality: I spent many years in military intelligence and there are things I cannot, under any circumstance, speak or write about. That’s just the way it is. So, then it comes down to creative license. How do I walk the line of presenting the information in a fact-based manner that does not “get me in trouble” with the gov’mint? :)
Stone’s life takes some very nasty turns on some very pivotal, very tragic events — some of his own doing, some beyond his control. The path he walks (or, at times, runs) from a young age until the time he is out in the world on his own with his *reputation* at stake is a long and twisting and dangerous road. Some of his history is mine and that has been the toughest part. How do I present parts of my own life that I know will be visceral and cathartic to both myself and those who knew me during those times? How do I deal with the aftermath of my fictional truth? Do I take the chance that I present it well enough that those involved don’t quite recognize it? Or, do I shut the hell up and write it like I see it, then take the heat like a man?
Like I said: it ain’t easy.
So, back to the cross-over bit. The other MC in the novella is Jessie Harder, who is the vampiric flipside to Stone’s assassin coin. In the tale, she reminds him of someone from his past and, for the first time, he lets emotion get in the way of his job performance. This is not a wise decision in his line of work.
Harder, being a vampire, is at first not sure what to do about Stone as she doesn’t see him as much of a threat. He is only human, after all. In her world, she rules the roost, so to speak. Her world is that of my vampire series Valence of Infinity. (Yes, that title has specific meaning.) You can sneak a separate peek into the VoI world by reading the first short story in my collection, Ordeals — called One Night In Hollywood. I have several shorts and novellas in the works, built in and around this world of vampires and other creatures of the night, such as The Moon From Heaven, Reading Paris, and Songs From The Heaven Room.
Harder vs Stone allows me to take the characters from one world and insert them into another without really breaking the “reality” of either. It’s FUN!
So, anyway, that’s kind of what I’m up to lately, writing-wise.
Oh, and look for the novella in June!
(Also, big news coming from me (and a few others) onMay 1st! StayTuned!)
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